A minimal product-style scene featuring a collection of three Mira ceramic vases of varying heights, each with refined, sculptural silhouettes. One is tall and slender with a matte chalk-white surface, another is rounded with a soft celadon glaze, and the third has a narrow neck and a warm, sandy speckled finish. They stand on a smooth light concrete plinth against a softly textured off-white wall. Gentle studio lighting from above and slightly to the right creates subtle gradients and crisp, delicate shadows that emphasize the curves. Photographic realism with a clean, gallery-like mood, shot straight-on at eye level using the rule of thirds, leaving negative space around the pieces to feel sophisticated and contemporary.

Keramiek overzicht

Blader door Mira’s handgemaakte keramiek, bekijk details per stuk en koop direct online.

Uitgelichte series

Twee recente reeksen: een verzameling okliekannen en celadonglazuren met horizontale structuren. Samen tonen ze hoe vorm, huid en licht in Mira’s werk met elkaar in gesprek gaan.

A refined still life of a single tall ceramic vessel by Mira, its form slightly tapering with a narrow opening and a subtle, hand-carved linear pattern circling the body. The glaze is a layered mix of warm ivory and translucent grey, allowing hints of the clay body to show through. The vessel stands centered on a dark, smooth stone surface that contrasts with its light tones. A narrow beam of soft, directional light from the left creates a dramatic but gentle chiaroscuro effect, with one side illuminated and the other in soft shadow. Photographic realism with a contemplative, almost museum-like mood, composed vertically with extra negative space above to enhance its presence.
A serene corner of Mira’s ceramic studio showing a sturdy wooden workbench with a freshly thrown, still-matte stoneware vessel on a pottery wheel. Nearby, several leather-hard cups rest on a wooden board, their surfaces smooth but unglazed. A row of natural sponges, metal ribs and wooden trimming tools is neatly arranged. Diffused daylight streams through a high window, casting gentle, directional light that catches the damp clay and creates soft, elongated shadows. Photographic realism with a quiet, focused atmosphere, shot at a three-quarter angle with moderate depth of field so the wheel and vessel are sharp while the back of the studio fades into a soft blur.
An elegant close-up of a single hand-thrown ceramic bowl by Mira, with a thin, slightly irregular rim and a satin glaze that transitions from warm sand at the base to deep midnight blue pooling in the interior. The bowl sits on a linen-covered table in a neutral beige tone, near a large window. Soft overcast daylight reveals the fine throwing lines, tiny iron spots in the clay and subtle glaze runs. The mood is contemplative and refined. Photographic realism, shot from a slightly elevated angle with an intimate composition that fills most of the frame, background softly blurred to highlight the bowl’s texture and meticulous craftsmanship.

Keramiek collectie

A serene corner of Mira’s ceramic studio showing a sturdy wooden workbench with a freshly thrown, still-matte stoneware vessel on a pottery wheel. Nearby, several leather-hard cups rest on a wooden board, their surfaces smooth but unglazed. A row of natural sponges, metal ribs and wooden trimming tools is neatly arranged. Diffused daylight streams through a high window, casting gentle, directional light that catches the damp clay and creates soft, elongated shadows. Photographic realism with a quiet, focused atmosphere, shot at a three-quarter angle with moderate depth of field so the wheel and vessel are sharp while the back of the studio fades into a soft blur.

1

Prijs en formaat

Ontdek details per stuk: formaat, glazuur, oplage en prijs.

An elegant close-up of a single hand-thrown ceramic bowl by Mira, with a thin, slightly irregular rim and a satin glaze that transitions from warm sand at the base to deep midnight blue pooling in the interior. The bowl sits on a linen-covered table in a neutral beige tone, near a large window. Soft overcast daylight reveals the fine throwing lines, tiny iron spots in the clay and subtle glaze runs. The mood is contemplative and refined. Photographic realism, shot from a slightly elevated angle with an intimate composition that fills most of the frame, background softly blurred to highlight the bowl’s texture and meticulous craftsmanship.

2

Direct bestellen

Elk werk is uniek, de vermelde prijs geldt voor dit ene stuk.

A carefully arranged selection of handmade ceramic pieces by Mira, including a tall minimalist vase, a shallow sculptural bowl and a delicately curved cup, all in soft off-white and muted earthy glazes with subtle speckles. They rest on a smooth, pale wooden table against a simple light grey wall. Gentle natural daylight from the left creates refined highlights on the glossy and satin glazes, revealing slight irregularities and throwing soft shadows. Photographic realism with a calm, sophisticated mood, shot at eye level with a shallow depth of field so the foremost vase is in crisp focus and the background gradually blurs, emphasizing craftsmanship, form and texture without any distractions.

3

Beschikbaarheid per stuk

Bekijk foto’s, lees de beschrijving en kies jouw favoriete keramiek.

A serene corner of Mira’s ceramic studio showing a sturdy wooden workbench with a freshly thrown, still-matte stoneware vessel on a pottery wheel. Nearby, several leather-hard cups rest on a wooden board, their surfaces smooth but unglazed. A row of natural sponges, metal ribs and wooden trimming tools is neatly arranged. Diffused daylight streams through a high window, casting gentle, directional light that catches the damp clay and creates soft, elongated shadows. Photographic realism with a quiet, focused atmosphere, shot at a three-quarter angle with moderate depth of field so the wheel and vessel are sharp while the back of the studio fades into a soft blur.

4

Handgemaakt uniek

Prijzen zijn inclusief btw, exclusief verzending tenzij anders vermeld.

Series, technieken en gebruikte materialen

Korte toelichting bij elke serie en techniek helpt je de stappen, texturen en kleurnuances in Mira’s keramiek beter te begrijpen.

An atmospheric view of a display shelf in Mira’s studio, showing an orderly row of handcrafted ceramic pieces: cylindrical cups, small lidded jars and a few asymmetric sculptural objects. The shelf is made of pale, untreated wood mounted on a muted plaster wall. The ceramics feature a restrained palette of whites, greys and soft earth tones, with varied surface treatments from matte to gently glossy. Natural side light from an unseen window creates delicate highlights on edges and emphasizes textures, while casting soft gradients of shadow on the wall behind. Photographic realism, shot from a slightly oblique angle with moderate depth of field, evoking the quiet elegance of a small gallery presentation.
A detailed tabletop composition of Mira’s everyday-use ceramics: a low, wide plate with a milky white glaze and exposed clay rim, a small pouring jug with a slender spout and soft grey-blue finish, and a gently curved cup with visible throwing rings. They are arranged on a natural oak table, accompanied only by a folded flax linen napkin for context. Warm late-afternoon sunlight filters in from the right, creating elongated shadows and highlighting the slight variations in glaze thickness. Photographic realism with a warm yet understated atmosphere, captured from a slightly elevated angle with shallow depth of field, foreground elements sharply defined and the distant table surface fading into a smooth, unobtrusive blur.
A carefully arranged selection of handmade ceramic pieces by Mira, including a tall minimalist vase, a shallow sculptural bowl and a delicately curved cup, all in soft off-white and muted earthy glazes with subtle speckles. They rest on a smooth, pale wooden table against a simple light grey wall. Gentle natural daylight from the left creates refined highlights on the glossy and satin glazes, revealing slight irregularities and throwing soft shadows. Photographic realism with a calm, sophisticated mood, shot at eye level with a shallow depth of field so the foremost vase is in crisp focus and the background gradually blurs, emphasizing craftsmanship, form and texture without any distractions.